I’ve always found
the history behind Marvelman fascinating, but I never got around to doing a
deep-dive into it. Fortunately, Pádraig Ó Méalóid’s book Poisoned Chalice: The Extremely Long and Incredibly Complex Story of
Marvelman (and Miracleman) exists to fill in this history. As the title suggests,
the history of the character Marvelman (also known as Miracleman) is both long
and complex. Poisoned Chalice provides
a detailed chronicle of the character.
The book starts
before the creation of Marvelman. It provides details and context for the rise
of superhero comics, and the lawsuit that led to the creation of Marvelman. It
goes on to discuss the character’s resurrection in the early 1980s, its name
change to Miracleman later in the decade, and the legal wrangling that has
sidelined the character for the last few decades.
Marvelman was created in the ’50s. The character exists because of DC Comic’s lawsuit against Fawcett’s Captain Marvel, in which Captain Marvel was found to infringe upon DC’s Superman character.[1] After the lawsuit, the publisher of Captain Marvel comics in Britain decided to continue the series by changing the name of the comic and character, redesigning the costume, and making some other changes to the story. Hence was born Marvelman, a character that enjoyed some success in Britain until publication stopped in the early ’60s.
A new publisher relaunched
the character in the ’80s in Warrior magazine. The new stories were written by Alan Moore. Moore’s
run on the character, and later Neil Gaiman’s, are what elevated the character
in the eyes of many fans. However, complex legal issues involving the character
have stagnated new stories for decades.
Ó Méalóid does his
best to untangle the complex ownership issues that surround the character. It
is a daunting task, and he relies mostly on previously given interviews and
those that he has conducted himself. Without being able to directly review the
contracts of those involved with the character, it is nearly impossible to
completely answer the question of ownership at most points in time. However, as
the book notes, Marvel seemingly owns the character now.
Of particular
interest to me are the copyright and trademark issues that surround the
character. Marvelman’s creation sprang directly from a copyright lawsuit.
Additionally, the question of who owns the copyright in the character has
played an important role in the character’s publication history in the past.
While not as well
handled in the book, trademark law has also played an important role in the
character’s history. In the late 1980s, U.S.-based Eclipse Comics chose to
reprint the Marvelman stories that ran in Warrior
and to continue the stories that Moore started. Trademark law is the
explanation for the character’s name change from Marvelman to Miracleman so as
not to run afoul of any trademarks owned by Marvel Comics. Additionally, the
question of who owned the trademark for Miracleman in the United States likely
delayed Neil Gaiman’s and Marvel’s attempts to republish and continue Gaiman’s
stories with the character.
Poisoned Chalice is a self-published
book that collects and expands on a series of posts Ó Méalóid did for Comics
Beat. The book could have benefited from better chapter formatting and some
additional editing to tighten up some sections. Additionally, as I alluded to
above, at times the book did not always clearly reflect or describe some of the
nuances of copyright and trademark law and its impact on the character. However,
Ó Méalóid’s attempts to rely on legitimate sources instead of merely industry
heresay is commendable, and it makes the book a treasure trove of information for
anyone interested in researching the history of the character.
Overall, Poisoned Chalice is a fascinating and detailed look into one of the more intriguing characters of the comic book industry. (Affiliate link below)
[1] Click
the link for my brief description of the Captain Marvel lawsuit.
